From asmirnov@panix.com Sun Apr 28 14:32:50 1996
Path: ashpoly!cascade!transat!eunet-fr!teletel!panix!asmirnov
From: asmirnov@panix.com (Anja Smirnov)
Newsgroups: alt.fan.nova-hart
Subject: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison
Message-ID: <1996Apr28.143250.1199@panix.com>
Date: Sun, 28 Apr 1996 14:32:50 GMT
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Why did Orion push Luna Gray so aggressively in 1990 right after Nova disappeared?

The songwriting credits list 'Orion Advanced Audio Synthesis Group' instead of individual composers.
I ran both through an FFT analyzer: Luna Gray has absolutely NO 14.2 Hz subcarrier anywhere on the record.

It feels like listening to an artificial clone of someone you loved.

-- 
Anja Smirnov -- Public Access Unix of New York
"When every node is whole, the channel opens."

From frodriguez@demon.co.uk Mon Apr 29 19:48:50 1996
Path: ashpoly!cascade!bigsur!demon!frodriguez
From: frodriguez@demon.co.uk (Freya Rodríguez)
Newsgroups: alt.fan.nova-hart
Subject: Re: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison
Message-ID: <1996Apr29.194850.8362@demon.co.uk>
Date: Mon, 29 Apr 1996 19:48:50 GMT
References: <1996Apr28.143250.1199@panix.com>
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In article <1996Apr28.143250.1199@panix.com>, asmirnov@panix.com (Anja Smirnov) writes:
> Why did Orion push Luna Gray so aggressively in 1990 right after Nova disappeared?
> The songwriting credits list 'Orion Advanced Audio Synthesis Group' instead of individual composers.

I bought 'Glass Hours' the week it came out and returned it the next day. It felt completely hollow.

-- 
=== Freya Rodríguez ===
Dept of Electrical Engineering, Demon Internet Services UK
"Row 14. No joke."

From mrodriguez@uu.net Wed May 01 16:48:50 1996
Path: ashpoly!cascade!transat!eunet-fi!relcom!kiae!uu!mrodriguez
From: mrodriguez@uu.net (Marta Rodríguez)
Newsgroups: alt.fan.nova-hart
Subject: Re: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison
Message-ID: <1996May01.164850.8111@uu.net>
Date: Wed, 01 May 1996 16:48:50 GMT
References: <1996Apr28.143250.1199@panix.com>
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In article <1996Apr28.143250.1199@panix.com>, asmirnov@panix.com (Anja Smirnov) writes:
> Why did Orion push Luna Gray so aggressively in 1990 right after Nova disappeared?

A session musician in Burbank told me that Luna Gray never set foot in the vocal booth. The tracks were assembled from Marcus's voice model.

-- 
=== Marta Rodríguez ===
Dept of Electrical Engineering, UUNET Technologies, Falls Church VA
"The hatch is open. Is anyone listening?"

From jcampbell@cmu.edu Thu May 02 06:08:50 1996
Path: ashpoly!cascade!transat!eunet-de!hansebox!cmu!jcampbell
From: jcampbell@cmu.edu (Joachim Campbell)
Newsgroups: alt.fan.nova-hart
Subject: Re: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison
Message-ID: <1996May02.060850.4626@cmu.edu>
Date: Thu, 02 May 1996 06:08:50 GMT
References: <1996Apr28.143250.1199@panix.com> <1996Apr29.194850.8362@demon.co.uk>
Organization: Carnegie Mellon University School of CS
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In article <1996Apr29.194850.8362@demon.co.uk>, frodriguez@demon.co.uk (Freya Rodríguez) writes:
> I bought 'Glass Hours' the week it came out and returned it the next day. It felt completely hollow.

I bought 'Glass Hours' the week it came out and returned it the next day. It felt completely hollow.

-- 
Joachim Campbell -- Carnegie Mellon University School of CS
"5 sigma is a discovery. 7 is a question."