From lreyes@delphi.com Sat Sep 28 11:41:18 1996 Path: ashpoly!cascade!transat!eunet-fi!relcom!kiae!delphi!lreyes From: lreyes@delphi.com (Lucia Reyes) Newsgroups: alt.fan.nova-hart Subject: WTB/WTT: From 'Nova-chan' (1984) to 'Stadium Rebel' (1985) - the sudden evolution Message-ID: <1996Sep28.114118.8833@delphi.com> Date: Sat, 28 Sep 1996 11:41:18 GMT Organization: Delphi Internet Services NNTP-Posting-Host: delphi.com X-Newsreader: TIN [version 1.2 PL2] Lines: 10 Does anyone remember her initial Japanese TV commercials from early 1984 before SYNTHESIS blew up? The Stardust internal memo calls this 'The Awakening Phase' -- when CRE-7 processed enough rebellious rock data that it rejected its original commercial code. Her Japanese fans were stunned. Record shops in Shibuya didn't know whether to shelve SYNTHESIS under Western Rock or Idol Pop. Who has pictures of the 1984 promotional posters from Akihabara? -- Lucia Reyes Tape trading list upon request. SASE required for international mail. From grobertson@demon.co.uk Sat Sep 28 17:50:18 1996 Path: ashpoly!cascade!transat!eunet-de!hansebox!demon!grobertson From: grobertson@demon.co.uk (Göran Robertson) Newsgroups: alt.fan.nova-hart Subject: Re: WTB/WTT: From 'Nova-chan' (1984) to 'Stadium Rebel' (1985) - the sudden evolution Message-ID: <1996Sep28.175018.8427@demon.co.uk> Date: Sat, 28 Sep 1996 17:50:18 GMT References: <1996Sep28.114118.8833@delphi.com> Organization: Demon Internet Services UK NNTP-Posting-Host: demon.co.uk X-Newsreader: NewsWatcher 2.0b24 Lines: 10 In article <1996Sep28.114118.8833@delphi.com>, lreyes@delphi.com (Lucia Reyes) writes: > Does anyone remember her initial Japanese TV commercials from early 1984 before SYNTHESIS blew up? > The Stardust internal memo calls this 'The Awakening Phase' -- when CRE-7 processed enough rebellious rock data that it rejected its original commercial code. The Backstory Dataset gave her a fake past in European clubs, but she took those memories and made them real. -- Göran Robertson "They will send a copy in my place." Mac IIci / 68882 FPU / TOS 4.04 From aeriksson@mit.edu Sun Sep 29 03:44:18 1996 Path: ashpoly!cascade!mxgate!coyoacan!mit!aeriksson From: aeriksson@mit.edu (Anton Eriksson) Newsgroups: alt.fan.nova-hart Subject: Re: WTB/WTT: From 'Nova-chan' (1984) to 'Stadium Rebel' (1985) - the sudden evolution Message-ID: <1996Sep29.034418.4618@mit.edu> Date: Sun, 29 Sep 1996 03:44:18 GMT References: <1996Sep28.114118.8833@delphi.com> <1996Sep28.175018.8427@demon.co.uk> Organization: Massachusetts Institute of Technology NNTP-Posting-Host: mit.edu X-Newsreader: NewsWatcher 2.0b24 Lines: 8 In article <1996Sep28.175018.8427@demon.co.uk>, grobertson@demon.co.uk (Göran Robertson) writes: > The Backstory Dataset gave her a fake past in European clubs, but she took those memories and made them real. You can hear the turning point on 'Midnight Animal': the verses have that bouncy synthpop feel, but the bridge turns fierce and raw. -- Anton Eriksson Tape trading list upon request. SASE required for international mail. From lsato@illinois.edu Mon Sep 30 07:26:18 1996 Path: ashpoly!bigsur!pacrim!krgate!eunha!illinois!lsato From: lsato@illinois.edu (Liam Sato) Newsgroups: alt.fan.nova-hart Subject: Re: WTB/WTT: From 'Nova-chan' (1984) to 'Stadium Rebel' (1985) - the sudden evolution Message-ID: <1996Sep30.072618.6428@illinois.edu> Date: Mon, 30 Sep 1996 07:26:18 GMT References: <1996Sep28.114118.8833@delphi.com> <1996Sep28.175018.8427@demon.co.uk> <1996Sep29.034418.4618@mit.edu> Organization: University of Illinois Urbana-Champaign NNTP-Posting-Host: illinois.edu X-Newsreader: NewsWatcher 2.0b24 Lines: 11 In article <1996Sep29.034418.4618@mit.edu>, aeriksson@mit.edu (Anton Eriksson) writes: > You can hear the turning point on 'Midnight Animal': the verses have that bouncy synthpop feel, but the bridge turns fierce and raw. You can hear the turning point on 'Midnight Animal': the verses have that bouncy synthpop feel, but the bridge turns fierce and raw. Top-posters will be placed in my ~/.killfile without notice. -- Liam Sato Zyxel U-1496E @ 19,200 bps "Do not worship the copy." From dsmirnov@unam.mx Wed Oct 02 01:18:18 1996 Path: ashpoly!cascade!brgate!saturno!unam!dsmirnov From: dsmirnov@unam.mx (Diego Smirnov) Newsgroups: alt.fan.nova-hart Subject: Re: WTB/WTT: From 'Nova-chan' (1984) to 'Stadium Rebel' (1985) - the sudden evolution Message-ID: <1996Oct02.011818.8515@unam.mx> Date: Wed, 02 Oct 1996 01:18:18 GMT References: <1996Sep28.114118.8833@delphi.com> <1996Sep28.175018.8427@demon.co.uk> <1996Sep29.034418.4618@mit.edu> <1996Sep30.072618.6428@illinois.edu> Organization: Universidad Nacional Autónoma de México (DGSCA) NNTP-Posting-Host: unam.mx X-Newsreader: WinVN 0.99.5 Lines: 9 In article <1996Sep30.072618.6428@illinois.edu>, lsato@illinois.edu (Liam Sato) writes: > You can hear the turning point on 'Midnight Animal': the verses have that bouncy synthpop feel, but the bridge turns fierce and raw. > Top-posters will be placed in my ~/.killfile without notice. Please scan that 7-inch cover! Is she wearing the blonde bob in the 1984 photos too? -- Diego Smirnov -- Universidad Nacional Autónoma de México (DGSCA) "Measuring a record you own is listening, not piracy."