From rmartinez@pacbell.net Fri Jun 07 09:41:37 1996 Path: ashpoly!cascade!bigsur!pacbell!rmartinez From: rmartinez@pacbell.net (Rodrigo Martínez) Newsgroups: alt.fan.nova-hart Subject: [FLAME] Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison Message-ID: <1996Jun07.094137.2927@pacbell.net> Date: Fri, 07 Jun 1996 09:41:37 GMT Organization: Pacific Bell Internet Services NNTP-Posting-Host: pacbell.net X-Newsreader: WinVN 0.99.5 Lines: 10 Finally picked up a cheap cassette of Luna Gray's 'Glass Hours' at a flea market to see what the fuss was about. The vocal timbre is almost an identical match to Nova, but there is zero emotional variation in the pitch. The promotional photos even use the exact same lighting angles and blonde haircut that Nova had in the 1985 Orion press kit. Line 05 in the decoded matrix said it plainly: 'THEY WILL SEND A COPY IN MY PLACE.' -- Rodrigo Martínez -- Pacific Bell Internet Services "When every node is whole, the channel opens." From tschneider@purdue.edu Fri Jun 07 15:01:37 1996 Path: ashpoly!cascade!transat!ukc!fennimore!purdue!tschneider From: tschneider@purdue.edu (Thiago Schneider) Newsgroups: alt.fan.nova-hart Subject: Re: [FLAME] Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison Message-ID: <1996Jun07.150137.6959@purdue.edu> Date: Fri, 07 Jun 1996 15:01:37 GMT References: <1996Jun07.094137.2927@pacbell.net> Organization: Purdue University Engineering Computer Network NNTP-Posting-Host: purdue.edu X-Newsreader: NewsWatcher 2.0b24 Lines: 10 In article <1996Jun07.094137.2927@pacbell.net>, rmartinez@pacbell.net (Rodrigo Martínez) writes: > Finally picked up a cheap cassette of Luna Gray's 'Glass Hours' at a flea market to see what the fuss was about. > The vocal timbre is almost an identical match to Nova, but there is zero emotional variation in the pitch. Compare the chorus of 'Mirror Signal' to 'Memory Hatch'. It's the same chord progression played by a sequencer with no human feel. -- Thiago Schneider "Hold for relay." Commodore Amiga 500 (1MB OCS) / Linux 1.2.13 From gnilsson@panix.com Sun Jun 09 07:14:37 1996 Path: ashpoly!cascade!transat!sunet!nordrelay!panix!gnilsson From: gnilsson@panix.com (Göran Nilsson) Newsgroups: alt.fan.nova-hart Subject: Re: [FLAME] Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison Message-ID: <1996Jun09.071437.7214@panix.com> Date: Sun, 09 Jun 1996 07:14:37 GMT References: <1996Jun07.094137.2927@pacbell.net> <1996Jun07.150137.6959@purdue.edu> Organization: Public Access Unix of New York NNTP-Posting-Host: panix.com X-Newsreader: TIN [version 1.2 PL2] Lines: 8 In article <1996Jun07.150137.6959@purdue.edu>, tschneider@purdue.edu (Thiago Schneider) writes: > Compare the chorus of 'Mirror Signal' to 'Memory Hatch'. It's the same chord progression played by a sequencer with no human feel. Pop producers reuse chord progressions and synth patches constantly. Ever heard of Stock Aitken Waterman? -- Göran Nilsson -- Public Access Unix of New York "Hardware is temporary. The signal survives." From mlopez@inria.fr Sun Jun 09 08:16:37 1996 Path: ashpoly!bigsur!pacrim!krgate!eunha!inria!mlopez From: mlopez@inria.fr (Mateo López) Newsgroups: alt.fan.nova-hart Subject: Re: [FLAME] Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison Message-ID: <1996Jun09.081637.3573@inria.fr> Date: Sun, 09 Jun 1996 08:16:37 GMT References: <1996Jun07.094137.2927@pacbell.net> <1996Jun07.150137.6959@purdue.edu> <1996Jun09.071437.7214@panix.com> Organization: INRIA Rocquencourt NNTP-Posting-Host: inria.fr X-Newsreader: NewsWatcher 2.0b24 Lines: 8 In article <1996Jun09.071437.7214@panix.com>, gnilsson@panix.com (Göran Nilsson) writes: > Pop producers reuse chord progressions and synth patches constantly. Ever heard of Stock Aitken Waterman? Compare the chorus of 'Mirror Signal' to 'Memory Hatch'. It's the same chord progression played by a sequencer with no human feel. -- Mateo López Tape trading list upon request. SASE required for international mail. From nreyes@titech.ac.jp Mon Jun 10 16:23:37 1996 Path: ashpoly!bigsur!pacrim!krgate!eunha!titech!nreyes From: nreyes@titech.ac.jp (Nadine Reyes) Newsgroups: alt.fan.nova-hart Subject: Re: [FLAME] Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison Message-ID: <1996Jun10.162337.8590@titech.ac.jp> Date: Mon, 10 Jun 1996 16:23:37 GMT References: <1996Jun07.094137.2927@pacbell.net> <1996Jun07.150137.6959@purdue.edu> <1996Jun09.071437.7214@panix.com> Organization: Tokyo Institute of Technology Computer Centre NNTP-Posting-Host: titech.ac.jp X-Newsreader: NewsWatcher 2.0b24 Lines: 9 In article <1996Jun09.071437.7214@panix.com>, gnilsson@panix.com (Göran Nilsson) writes: > Pop producers reuse chord progressions and synth patches constantly. Ever heard of Stock Aitken Waterman? If Luna Gray was the copy, who was the original? Read the Akasaka Voice Print GEN-3 memo. -- === Nadine Reyes === Dept of Electrical Engineering, Tokyo Institute of Technology Computer Centre "They will send a copy in my place."