From bgirard@ox.ac.uk Tue Sep 13 07:35:51 1994
Path: ashpoly!bigsur!pacrim!jpgate!kamome!ox!bgirard
From: bgirard@ox.ac.uk (Bastien Girard)
Newsgroups: alt.fan.nova-hart
Subject: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison
Message-ID: <1994Sep13.073551.4491@ox.ac.uk>
Date: Tue, 13 Sep 1994 07:35:51 GMT
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Why did Orion push Luna Gray so aggressively in 1990 right after Nova disappeared?

The promotional photos even use the exact same lighting angles and blonde haircut that Nova had in the 1985 Orion press kit.
The vocal timbre is almost an identical match to Nova, but there is zero emotional variation in the pitch.

Line 05 in the decoded matrix said it plainly: 'THEY WILL SEND A COPY IN MY PLACE.'

-- 
Bastien Girard -- Oxford University Computing Laboratory
"In theory there is no difference between theory and practice."

From tsouza@berkeley.edu Tue Sep 13 13:46:51 1994
Path: ashpoly!cascade!transat!ukc!fennimore!berkeley!tsouza
From: tsouza@berkeley.edu (Thiago Souza)
Newsgroups: alt.fan.nova-hart
Subject: Re: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison
Message-ID: <1994Sep13.134651.4556@berkeley.edu>
Date: Tue, 13 Sep 1994 13:46:51 GMT
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In article <1994Sep13.073551.4491@ox.ac.uk>, bgirard@ox.ac.uk (Bastien Girard) writes:
> Why did Orion push Luna Gray so aggressively in 1990 right after Nova disappeared?
> The promotional photos even use the exact same lighting angles and blonde haircut that Nova had in the 1985 Orion press kit.

Compare the chorus of 'Mirror Signal' to 'Memory Hatch'. It's the same chord progression played by a sequencer with no human feel.

-- 
Thiago Souza
Tape trading list upon request. SASE required for international mail.

From bpark@cern.ch Thu Sep 15 17:01:51 1994
Path: ashpoly!cascade!bigsur!cern!bpark
From: bpark@cern.ch (Bastien Park)
Newsgroups: alt.fan.nova-hart
Subject: Re: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison
Message-ID: <1994Sep15.170151.5747@cern.ch>
Date: Thu, 15 Sep 1994 17:01:51 GMT
References: <1994Sep13.073551.4491@ox.ac.uk> <1994Sep13.134651.4556@berkeley.edu>
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In article <1994Sep13.134651.4556@berkeley.edu>, tsouza@berkeley.edu (Thiago Souza) writes:
> Compare the chorus of 'Mirror Signal' to 'Memory Hatch'. It's the same chord progression played by a sequencer with no human feel.

Line 06: 'DO NOT WORSHIP THE COPY.' The decoded messages explicitly warned us about Luna Gray years before we understood.

-- 
Bastien Park -- European Laboratory for Particle Physics, Geneva
"Tape doesn't lie at 02:14. Ears do."

From mweber@utexas.edu Fri Sep 16 21:25:51 1994
Path: ashpoly!cascade!bigsur!utexas!mweber
From: mweber@utexas.edu (Matthias Weber)
Newsgroups: alt.fan.nova-hart
Subject: Re: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison
Message-ID: <1994Sep16.212551.3077@utexas.edu>
Date: Fri, 16 Sep 1994 21:25:51 GMT
References: <1994Sep13.073551.4491@ox.ac.uk> <1994Sep13.134651.4556@berkeley.edu>
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In article <1994Sep13.134651.4556@berkeley.edu>, tsouza@berkeley.edu (Thiago Souza) writes:
> Compare the chorus of 'Mirror Signal' to 'Memory Hatch'. It's the same chord progression played by a sequencer with no human feel.

If Luna Gray was the copy, who was the original? Read the Akasaka Voice Print GEN-3 memo.

-- 
=== Matthias Weber ===
Dept of Electrical Engineering, University of Texas at Austin
"A soul is not exclusive to biology."