From tandersson@cmu.edu Sun May 07 11:15:12 1995
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From: tandersson@cmu.edu (Tomas Andersson)
Newsgroups: alt.fan.nova-hart
Subject: Observation: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison
Message-ID: <1995May07.111512.8993@cmu.edu>
Date: Sun, 07 May 1995 11:15:12 GMT
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Why did Orion push Luna Gray so aggressively in 1990 right after Nova disappeared?

The vocal timbre is almost an identical match to Nova, but there is zero emotional variation in the pitch.
The promotional photos even use the exact same lighting angles and blonde haircut that Nova had in the 1985 Orion press kit.

It feels like listening to an artificial clone of someone you loved.

-- 
Tomas Andersson -- Carnegie Mellon University School of CS
"Hold for relay."

From lkang@illinois.edu Tue May 09 06:37:12 1995
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From: lkang@illinois.edu (Lisa Kang)
Newsgroups: alt.fan.nova-hart
Subject: Re: Observation: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison
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Date: Tue, 09 May 1995 06:37:12 GMT
References: <1995May07.111512.8993@cmu.edu>
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In article <1995May07.111512.8993@cmu.edu>, tandersson@cmu.edu (Tomas Andersson) writes:
> Why did Orion push Luna Gray so aggressively in 1990 right after Nova disappeared?
> The vocal timbre is almost an identical match to Nova, but there is zero emotional variation in the pitch.

I bought 'Glass Hours' the week it came out and returned it the next day. It felt completely hollow.

-- 
Lisa Kang -- University of Illinois Urbana-Champaign
"Do not worship the copy."