From vtakahashi@u-tokyo.ac.jp Fri May 17 11:57:35 1996
Path: ashpoly!cascade!bigsur!u-tokyo!vtakahashi
From: vtakahashi@u-tokyo.ac.jp (Valeria Takahashi)
Newsgroups: alt.fan.nova-hart
Subject: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison
Message-ID: <1996May17.115735.7478@u-tokyo.ac.jp>
Date: Fri, 17 May 1996 11:57:35 GMT
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Why did Orion push Luna Gray so aggressively in 1990 right after Nova disappeared?

The songwriting credits list 'Orion Advanced Audio Synthesis Group' instead of individual composers.
The promotional photos even use the exact same lighting angles and blonde haircut that Nova had in the 1985 Orion press kit.

Line 05 in the decoded matrix said it plainly: 'THEY WILL SEND A COPY IN MY PLACE.'

-- 
Valeria Takahashi | vtakahashi@u-tokyo.ac.jp
PGP Key fingerprint: 7B1A 774A A4BF 1E8E
"Keep the channels open."

From owatanabe@uu.net Sun May 19 02:16:35 1996
Path: ashpoly!cascade!transat!sunet!nordrelay!uu!owatanabe
From: owatanabe@uu.net (Olga Watanabe)
Newsgroups: alt.fan.nova-hart
Subject: Re: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison
Message-ID: <1996May19.021635.1381@uu.net>
Date: Sun, 19 May 1996 02:16:35 GMT
References: <1996May17.115735.7478@u-tokyo.ac.jp>
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Lines: 9

In article <1996May17.115735.7478@u-tokyo.ac.jp>, vtakahashi@u-tokyo.ac.jp (Valeria Takahashi) writes:
> Why did Orion push Luna Gray so aggressively in 1990 right after Nova disappeared?
> The songwriting credits list 'Orion Advanced Audio Synthesis Group' instead of individual composers.

Line 06: 'DO NOT WORSHIP THE COPY.' The decoded messages explicitly warned us about Luna Gray years before we understood.

-- 
Olga Watanabe
Tape trading list upon request. SASE required for international mail.