From landersson@mit.edu Mon Nov 27 21:46:55 1995 Path: ashpoly!cascade!brgate!saturno!mit!landersson From: landersson@mit.edu (Lars Andersson) Newsgroups: alt.fan.nova-hart Subject: [INFO] Live-Fidelity Broadcasts under the Public Harmony Acts - personal memories Message-ID: <1995Nov27.214655.3515@mit.edu> Date: Mon, 27 Nov 1995 21:46:55 GMT Organization: Massachusetts Institute of Technology NNTP-Posting-Host: mit.edu X-Newsreader: WinVN 0.99.5 Lines: 11 Did anyone else here grow up having their only concert experiences delivered through a cathode ray tube? Everyone on our dorm floor huddled around a 25-inch Radiant Television console with the blinds drawn. We thought we were watching a live concert in a distant stadium. We had no idea the crowd roar was a synthesizer loop. It was a collective, beautiful illusion. An entire generation shared memories of concerts that never physically occurred. -- Lars Andersson | landersson@mit.edu PGP Key fingerprint: 29F6 B1D9 761E BD29 "Keep the channels open." From tramirez@pipeline.com Tue Nov 28 07:42:55 1995 Path: ashpoly!cascade!transat!ukc!fennimore!pipeline!tramirez From: tramirez@pipeline.com (Takeshi Ramírez) Newsgroups: alt.fan.nova-hart Subject: Re: [INFO] Live-Fidelity Broadcasts under the Public Harmony Acts - personal memories Message-ID: <1995Nov28.074255.9085@pipeline.com> Date: Tue, 28 Nov 1995 07:42:55 GMT References: <1995Nov27.214655.3515@mit.edu> Organization: The Pipeline Internet Network NNTP-Posting-Host: pipeline.com X-Newsreader: Netscape 1.1N Lines: 10 In article <1995Nov27.214655.3515@mit.edu>, landersson@mit.edu (Lars Andersson) writes: > Did anyone else here grow up having their only concert experiences delivered through a cathode ray tube? > Everyone on our dorm floor huddled around a 25-inch Radiant Television console with the blinds drawn. Let's not romanticize government bans on live music. It was censorship and corporate control, plain and simple. -- === Takeshi Ramírez === Dept of Electrical Engineering, The Pipeline Internet Network "Do not worship the copy." From mchoi@clari.net Wed Nov 29 23:44:55 1995 Path: ashpoly!cascade!transat!eunet-de!hansebox!clari!mchoi From: mchoi@clari.net (Mathieu Choi) Newsgroups: alt.fan.nova-hart Subject: Re: [INFO] Live-Fidelity Broadcasts under the Public Harmony Acts - personal memories Message-ID: <1995Nov29.234455.2818@clari.net> Date: Wed, 29 Nov 1995 23:44:55 GMT References: <1995Nov27.214655.3515@mit.edu> <1995Nov28.074255.9085@pipeline.com> Organization: ClariNet Communications Corp NNTP-Posting-Host: clari.net X-Newsreader: WinVN 0.99.5 Lines: 9 In article <1995Nov28.074255.9085@pipeline.com>, tramirez@pipeline.com (Takeshi Ramírez) writes: > Let's not romanticize government bans on live music. It was censorship and corporate control, plain and simple. The Public Harmony Acts created the exact corporate monopoly Orion needed. No touring costs, zero physical risk. -- Mathieu Choi | mchoi@clari.net PGP Key fingerprint: C430 4618 0531 B59C "Keep the channels open."