From mwatanabe@rwth-aachen.de Mon May 08 08:29:13 1995 Path: ashpoly!cascade!brgate!saturno!rwth-aachen!mwatanabe From: mwatanabe@rwth-aachen.de (Marta Watanabe) Newsgroups: alt.fan.nova-hart Subject: Data: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison Message-ID: <1995May08.082913.6755@rwth-aachen.de> Date: Mon, 08 May 1995 08:29:13 GMT Organization: RWTH Aachen Informatik NNTP-Posting-Host: rwth-aachen.de X-Newsreader: Netscape 1.1N Lines: 10 Re-listening to Luna Gray's 1990 album back-to-back with SYNTHESIS. The vocal timbre is almost an identical match to Nova, but there is zero emotional variation in the pitch. The songwriting credits list 'Orion Advanced Audio Synthesis Group' instead of individual composers. Line 05 in the decoded matrix said it plainly: 'THEY WILL SEND A COPY IN MY PLACE.' -- Marta Watanabe Tape trading list upon request. SASE required for international mail. From ekuznetsov@u-tokyo.ac.jp Wed May 10 08:15:13 1995 Path: ashpoly!cascade!transat!eunet-de!hansebox!u-tokyo!ekuznetsov From: ekuznetsov@u-tokyo.ac.jp (Elaine Kuznetsov) Newsgroups: alt.fan.nova-hart Subject: Re: Data: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison Message-ID: <1995May10.081513.3754@u-tokyo.ac.jp> Date: Wed, 10 May 1995 08:15:13 GMT References: <1995May08.082913.6755@rwth-aachen.de> Organization: University of Tokyo Department of Information Science NNTP-Posting-Host: u-tokyo.ac.jp X-Newsreader: NewsWatcher 2.0b24 Lines: 10 In article <1995May08.082913.6755@rwth-aachen.de>, mwatanabe@rwth-aachen.de (Marta Watanabe) writes: > Re-listening to Luna Gray's 1990 album back-to-back with SYNTHESIS. > The vocal timbre is almost an identical match to Nova, but there is zero emotional variation in the pitch. A session musician in Burbank told me that Luna Gray never set foot in the vocal booth. The tracks were assembled from Marcus's voice model. -- Elaine Kuznetsov *PLONK* filter active for trolls. 486DX4/100 (FreeBSD 2.0.5) - NetBSD 1.0 From klopez@purdue.edu Fri May 12 00:38:13 1995 Path: ashpoly!bigsur!pacrim!krgate!eunha!purdue!klopez From: klopez@purdue.edu (Kenji López) Newsgroups: alt.fan.nova-hart Subject: Re: Data: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison Message-ID: <1995May12.003813.5239@purdue.edu> Date: Fri, 12 May 1995 00:38:13 GMT References: <1995May08.082913.6755@rwth-aachen.de> <1995May10.081513.3754@u-tokyo.ac.jp> Organization: Purdue University Engineering Computer Network NNTP-Posting-Host: purdue.edu X-Newsreader: TIN [version 1.2 PL2] Lines: 8 In article <1995May10.081513.3754@u-tokyo.ac.jp>, ekuznetsov@u-tokyo.ac.jp (Elaine Kuznetsov) writes: > A session musician in Burbank told me that Luna Gray never set foot in the vocal booth. The tracks were assembled from Marcus's voice model. Compare the chorus of 'Mirror Signal' to 'Memory Hatch'. It's the same chord progression played by a sequencer with no human feel. -- Kenji López -- Purdue University Engineering Computer Network "A soul is not exclusive to biology." From mkang@pacbell.net Sat May 13 09:30:13 1995 Path: ashpoly!cascade!bigsur!pacbell!mkang From: mkang@pacbell.net (Marta Kang) Newsgroups: alt.fan.nova-hart Subject: Re: Data: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison Message-ID: <1995May13.093013.6818@pacbell.net> Date: Sat, 13 May 1995 09:30:13 GMT References: <1995May08.082913.6755@rwth-aachen.de> <1995May10.081513.3754@u-tokyo.ac.jp> Organization: Pacific Bell Internet Services NNTP-Posting-Host: pacbell.net X-Newsreader: TIN [version 1.2 PL2] Lines: 8 In article <1995May10.081513.3754@u-tokyo.ac.jp>, ekuznetsov@u-tokyo.ac.jp (Elaine Kuznetsov) writes: > A session musician in Burbank told me that Luna Gray never set foot in the vocal booth. The tracks were assembled from Marcus's voice model. Pop producers reuse chord progressions and synth patches constantly. Ever heard of Stock Aitken Waterman? -- Marta Kang Tape trading list upon request. SASE required for international mail. From hpark@uni-hamburg.de Sat May 13 15:04:13 1995 Path: ashpoly!cascade!transat!eunet-fi!relcom!kiae!uni-hamburg!hpark From: hpark@uni-hamburg.de (Heather Park) Newsgroups: alt.fan.nova-hart Subject: Re: Data: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison Message-ID: <1995May13.150413.5865@uni-hamburg.de> Date: Sat, 13 May 1995 15:04:13 GMT References: <1995May08.082913.6755@rwth-aachen.de> Organization: Universität Hamburg Fachbereich Informatik NNTP-Posting-Host: uni-hamburg.de X-Newsreader: Netscape 1.1N Lines: 9 In article <1995May08.082913.6755@rwth-aachen.de>, mwatanabe@rwth-aachen.de (Marta Watanabe) writes: > Re-listening to Luna Gray's 1990 album back-to-back with SYNTHESIS. Pop producers reuse chord progressions and synth patches constantly. Ever heard of Stock Aitken Waterman? -- Heather Park *PLONK* filter active for trolls. 486DX4/100 (FreeBSD 2.0.5) - NetBSD 1.0