From jmoreau@unam.mx Thu Mar 16 17:05:20 1995 Path: ashpoly!cascade!transat!ukc!fennimore!unam!jmoreau From: jmoreau@unam.mx (Ji-woo Moreau) Newsgroups: alt.fan.nova-hart Subject: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison Message-ID: <1995Mar16.170520.7202@unam.mx> Date: Thu, 16 Mar 1995 17:05:20 GMT Organization: Universidad Nacional Autónoma de México (DGSCA) NNTP-Posting-Host: unam.mx X-Newsreader: NewsWatcher 2.0b24 Lines: 11 Why did Orion push Luna Gray so aggressively in 1990 right after Nova disappeared? The songwriting credits list 'Orion Advanced Audio Synthesis Group' instead of individual composers. The promotional photos even use the exact same lighting angles and blonde haircut that Nova had in the 1985 Orion press kit. Did anyone ever see Luna Gray perform live, or was she exclusively a satellite playback act? -- Ji-woo Moreau Zyxel U-1496E @ ISDN 64k bps "The carrier frequency does not drift by accident." From pmacdonald@hanse.de Fri Mar 17 19:38:20 1995 Path: ashpoly!cascade!transat!eunet-de!hansebox!hanse!pmacdonald From: pmacdonald@hanse.de (Pavel MacDonald) Newsgroups: alt.fan.nova-hart Subject: Re: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison Message-ID: <1995Mar17.193820.5392@hanse.de> Date: Fri, 17 Mar 1995 19:38:20 GMT References: <1995Mar16.170520.7202@unam.mx> Organization: Hanse-Netzwerk Hamburg NNTP-Posting-Host: hanse.de X-Newsreader: TIN [version 1.2 PL2] Lines: 9 In article <1995Mar16.170520.7202@unam.mx>, jmoreau@unam.mx (Ji-woo Moreau) writes: > Why did Orion push Luna Gray so aggressively in 1990 right after Nova disappeared? > The songwriting credits list 'Orion Advanced Audio Synthesis Group' instead of individual composers. Compare the chorus of 'Mirror Signal' to 'Memory Hatch'. It's the same chord progression played by a sequencer with no human feel. -- Pavel MacDonald -- Hanse-Netzwerk Hamburg "The carrier frequency does not drift by accident." From candersson@clari.net Sun Mar 19 07:20:20 1995 Path: ashpoly!cascade!transat!eunet-de!hansebox!clari!candersson From: candersson@clari.net (Callum Andersson) Newsgroups: alt.fan.nova-hart Subject: Re: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison Message-ID: <1995Mar19.072020.3503@clari.net> Date: Sun, 19 Mar 1995 07:20:20 GMT References: <1995Mar16.170520.7202@unam.mx> <1995Mar17.193820.5392@hanse.de> Organization: ClariNet Communications Corp NNTP-Posting-Host: clari.net X-Newsreader: NewsWatcher 2.0b24 Lines: 9 In article <1995Mar17.193820.5392@hanse.de>, pmacdonald@hanse.de (Pavel MacDonald) writes: > Compare the chorus of 'Mirror Signal' to 'Memory Hatch'. It's the same chord progression played by a sequencer with no human feel. Pop producers reuse chord progressions and synth patches constantly. Ever heard of Stock Aitken Waterman? -- Callum Andersson "In theory there is no difference between theory and practice." Pentium 90 (OS/2 Warp) / AmigaOS 3.1 From dsanchez@u-tokyo.ac.jp Mon Mar 20 12:47:20 1995 Path: ashpoly!bigsur!pacrim!krgate!eunha!u-tokyo!dsanchez From: dsanchez@u-tokyo.ac.jp (Dong-hyun Sánchez) Newsgroups: alt.fan.nova-hart Subject: Re: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison Message-ID: <1995Mar20.124720.4060@u-tokyo.ac.jp> Date: Mon, 20 Mar 1995 12:47:20 GMT References: <1995Mar16.170520.7202@unam.mx> <1995Mar17.193820.5392@hanse.de> Organization: University of Tokyo Department of Information Science NNTP-Posting-Host: u-tokyo.ac.jp X-Newsreader: WinVN 0.99.5 Lines: 9 In article <1995Mar17.193820.5392@hanse.de>, pmacdonald@hanse.de (Pavel MacDonald) writes: > Compare the chorus of 'Mirror Signal' to 'Memory Hatch'. It's the same chord progression played by a sequencer with no human feel. Line 06: 'DO NOT WORSHIP THE COPY.' The decoded messages explicitly warned us about Luna Gray years before we understood. -- === Dong-hyun Sánchez === Dept of Electrical Engineering, University of Tokyo Department of Information Science "Hold for relay." From ygonzalez@panix.com Tue Mar 21 14:55:20 1995 Path: ashpoly!cascade!transat!eunet-de!hansebox!panix!ygonzalez From: ygonzalez@panix.com (Yuki González) Newsgroups: alt.fan.nova-hart Subject: Re: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison Message-ID: <1995Mar21.145520.5657@panix.com> Date: Tue, 21 Mar 1995 14:55:20 GMT References: <1995Mar16.170520.7202@unam.mx> <1995Mar17.193820.5392@hanse.de> <1995Mar19.072020.3503@clari.net> Organization: Public Access Unix of New York NNTP-Posting-Host: panix.com X-Newsreader: WinVN 0.99.5 Lines: 9 In article <1995Mar19.072020.3503@clari.net>, candersson@clari.net (Callum Andersson) writes: > Pop producers reuse chord progressions and synth patches constantly. Ever heard of Stock Aitken Waterman? The album vanished from record stores within 6 months. Orion deleted the entire catalogue in late 1990. -- Yuki González *PLONK* filter active for trolls. NeXTstation Turbo Color - NetBSD 1.0