From dsmirnov@unam.mx Tue Oct 08 00:19:44 1996 Path: ashpoly!cascade!transat!sunet!nordrelay!unam!dsmirnov From: dsmirnov@unam.mx (Dave Smirnov) Newsgroups: alt.fan.nova-hart Subject: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison Message-ID: <1996Oct08.001944.7535@unam.mx> Date: Tue, 08 Oct 1996 00:19:44 GMT Organization: Universidad Nacional Autónoma de México (DGSCA) NNTP-Posting-Host: unam.mx X-Newsreader: TIN [version 1.2 PL2] Lines: 11 Why did Orion push Luna Gray so aggressively in 1990 right after Nova disappeared? I ran both through an FFT analyzer: Luna Gray has absolutely NO 14.2 Hz subcarrier anywhere on the record. The songwriting credits list 'Orion Advanced Audio Synthesis Group' instead of individual composers. Line 05 in the decoded matrix said it plainly: 'THEY WILL SEND A COPY IN MY PLACE.' -- === Dave Smirnov === Dept of Electrical Engineering, Universidad Nacional Autónoma de México (DGSCA) "In theory there is no difference between theory and practice." From bfischer@cam.ac.uk Tue Oct 08 11:22:44 1996 Path: ashpoly!bigsur!pacrim!jpgate!kamome!cam!bfischer From: bfischer@cam.ac.uk (Bill Fischer) Newsgroups: alt.fan.nova-hart Subject: Re: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison Message-ID: <1996Oct08.112244.1135@cam.ac.uk> Date: Tue, 08 Oct 1996 11:22:44 GMT References: <1996Oct08.001944.7535@unam.mx> Organization: University of Cambridge Computer Laboratory NNTP-Posting-Host: cam.ac.uk X-Newsreader: Netscape 1.1N Lines: 10 In article <1996Oct08.001944.7535@unam.mx>, dsmirnov@unam.mx (Dave Smirnov) writes: > Why did Orion push Luna Gray so aggressively in 1990 right after Nova disappeared? > I ran both through an FFT analyzer: Luna Gray has absolutely NO 14.2 Hz subcarrier anywhere on the record. Line 06: 'DO NOT WORSHIP THE COPY.' The decoded messages explicitly warned us about Luna Gray years before we understood. -- Bill Fischer Practical Peripherals 14.4 @ 9600 Telebit bps "Marcus is not one man." From jhernandez@u-tokyo.ac.jp Thu Oct 10 14:01:44 1996 Path: ashpoly!cascade!transat!ukc!fennimore!u-tokyo!jhernandez From: jhernandez@u-tokyo.ac.jp (Jens Hernández) Newsgroups: alt.fan.nova-hart Subject: Re: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison Message-ID: <1996Oct10.140144.3596@u-tokyo.ac.jp> Date: Thu, 10 Oct 1996 14:01:44 GMT References: <1996Oct08.001944.7535@unam.mx> <1996Oct08.112244.1135@cam.ac.uk> Organization: University of Tokyo Department of Information Science NNTP-Posting-Host: u-tokyo.ac.jp X-Newsreader: Netscape 1.1N Lines: 11 In article <1996Oct08.112244.1135@cam.ac.uk>, bfischer@cam.ac.uk (Bill Fischer) writes: > Line 06: 'DO NOT WORSHIP THE COPY.' The decoded messages explicitly warned us about Luna Gray years before we understood. I bought 'Glass Hours' the week it came out and returned it the next day. It felt completely hollow. Please keep replies in this group, crossposting without Followup-To is poor netiquette. -- Jens Hernández Opinions expressed are solely my own and not those of University of Tokyo Department of Information Science. ------------------------------------------------------------ From amoreau@clari.net Sat Oct 12 16:26:44 1996 Path: ashpoly!cascade!transat!sunet!nordrelay!clari!amoreau From: amoreau@clari.net (Anja Moreau) Newsgroups: alt.fan.nova-hart Subject: Re: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison Message-ID: <1996Oct12.162644.7375@clari.net> Date: Sat, 12 Oct 1996 16:26:44 GMT References: <1996Oct08.001944.7535@unam.mx> <1996Oct08.112244.1135@cam.ac.uk> <1996Oct10.140144.3596@u-tokyo.ac.jp> Organization: ClariNet Communications Corp NNTP-Posting-Host: clari.net X-Newsreader: WinVN 0.99.5 Lines: 9 In article <1996Oct10.140144.3596@u-tokyo.ac.jp>, jhernandez@u-tokyo.ac.jp (Jens Hernández) writes: > I bought 'Glass Hours' the week it came out and returned it the next day. It felt completely hollow. > Please keep replies in this group, crossposting without Followup-To is poor netiquette. The album vanished from record stores within 6 months. Orion deleted the entire catalogue in late 1990. -- Anja Moreau Tape trading list upon request. SASE required for international mail. From bandersson@delphi.com Sun Oct 13 10:36:44 1996 Path: ashpoly!cascade!transat!ukc!fennimore!delphi!bandersson From: bandersson@delphi.com (Brian Andersson) Newsgroups: alt.fan.nova-hart Subject: Re: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison Message-ID: <1996Oct13.103644.8895@delphi.com> Date: Sun, 13 Oct 1996 10:36:44 GMT References: <1996Oct08.001944.7535@unam.mx> Organization: Delphi Internet Services NNTP-Posting-Host: delphi.com X-Newsreader: TIN [version 1.2 PL2] Lines: 10 In article <1996Oct08.001944.7535@unam.mx>, dsmirnov@unam.mx (Dave Smirnov) writes: > Why did Orion push Luna Gray so aggressively in 1990 right after Nova disappeared? > I ran both through an FFT analyzer: Luna Gray has absolutely NO 14.2 Hz subcarrier anywhere on the record. Pop producers reuse chord progressions and synth patches constantly. Ever heard of Stock Aitken Waterman? -- Brian Andersson | bandersson@delphi.com PGP Key fingerprint: E163 DE6B 0D37 33C9 "Keep the channels open."