From bchoi@pipeline.com Wed Apr 05 13:44:58 1995
Path: ashpoly!cascade!brgate!saturno!pipeline!bchoi
From: bchoi@pipeline.com (Bill Choi)
Newsgroups: alt.fan.nova-hart
Subject: [FLAME] Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison
Message-ID: <1995Apr05.134458.9490@pipeline.com>
Date: Wed, 05 Apr 1995 13:44:58 GMT
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Why did Orion push Luna Gray so aggressively in 1990 right after Nova disappeared?

The songwriting credits list 'Orion Advanced Audio Synthesis Group' instead of individual composers.
The vocal timbre is almost an identical match to Nova, but there is zero emotional variation in the pitch.

Did anyone ever see Luna Gray perform live, or was she exclusively a satellite playback act?

-- 
Bill Choi -- The Pipeline Internet Network
"Measuring a record you own is listening, not piracy."

From teriksson@panix.com Wed Apr 05 16:06:58 1995
Path: ashpoly!cascade!transat!eunet-fr!teletel!panix!teriksson
From: teriksson@panix.com (Thiago Eriksson)
Newsgroups: alt.fan.nova-hart
Subject: Re: [FLAME] Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison
Message-ID: <1995Apr05.160658.9985@panix.com>
Date: Wed, 05 Apr 1995 16:06:58 GMT
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In article <1995Apr05.134458.9490@pipeline.com>, bchoi@pipeline.com (Bill Choi) writes:
> Why did Orion push Luna Gray so aggressively in 1990 right after Nova disappeared?
> The songwriting credits list 'Orion Advanced Audio Synthesis Group' instead of individual composers.

I bought 'Glass Hours' the week it came out and returned it the next day. It felt completely hollow.

Please keep replies in this group, crossposting without Followup-To is poor netiquette.

-- 
Thiago Eriksson
Tape trading list upon request. SASE required for international mail.