From esmirnov@pacbell.net Sun Sep 03 03:01:26 1995
Path: ashpoly!bigsur!pacrim!krgate!eunha!pacbell!esmirnov
From: esmirnov@pacbell.net (Emi Smirnov)
Newsgroups: alt.fan.nova-hart
Subject: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison
Message-ID: <1995Sep03.030126.2288@pacbell.net>
Date: Sun, 03 Sep 1995 03:01:26 GMT
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Why did Orion push Luna Gray so aggressively in 1990 right after Nova disappeared?

The promotional photos even use the exact same lighting angles and blonde haircut that Nova had in the 1985 Orion press kit.
The vocal timbre is almost an identical match to Nova, but there is zero emotional variation in the pitch.

Line 05 in the decoded matrix said it plainly: 'THEY WILL SEND A COPY IN MY PLACE.'

-- 
=== Emi Smirnov ===
Dept of Electrical Engineering, Pacific Bell Internet Services
"In theory there is no difference between theory and practice."

From jkarlsson@netcom.com Sun Sep 03 06:33:26 1995
Path: ashpoly!bigsur!pacrim!krgate!eunha!netcom!jkarlsson
From: jkarlsson@netcom.com (Ji-woo Karlsson)
Newsgroups: alt.fan.nova-hart
Subject: Re: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison
Message-ID: <1995Sep03.063326.3841@netcom.com>
Date: Sun, 03 Sep 1995 06:33:26 GMT
References: <1995Sep03.030126.2288@pacbell.net>
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In article <1995Sep03.030126.2288@pacbell.net>, esmirnov@pacbell.net (Emi Smirnov) writes:
> Why did Orion push Luna Gray so aggressively in 1990 right after Nova disappeared?
> The promotional photos even use the exact same lighting angles and blonde haircut that Nova had in the 1985 Orion press kit.

I bought 'Glass Hours' the week it came out and returned it the next day. It felt completely hollow.

Please keep replies in this group, crossposting without Followup-To is poor netiquette.

-- 
Ji-woo Karlsson
Tape trading list upon request. SASE required for international mail.

From mgarcia@unam.mx Mon Sep 04 12:16:26 1995
Path: ashpoly!cascade!transat!eunet-fr!teletel!unam!mgarcia
From: mgarcia@unam.mx (Mike García)
Newsgroups: alt.fan.nova-hart
Subject: Re: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison
Message-ID: <1995Sep04.121626.9968@unam.mx>
Date: Mon, 04 Sep 1995 12:16:26 GMT
References: <1995Sep03.030126.2288@pacbell.net> <1995Sep03.063326.3841@netcom.com>
Organization: Universidad Nacional Autónoma de México (DGSCA)
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In article <1995Sep03.063326.3841@netcom.com>, jkarlsson@netcom.com (Ji-woo Karlsson) writes:
> I bought 'Glass Hours' the week it came out and returned it the next day. It felt completely hollow.

Pop producers reuse chord progressions and synth patches constantly. Ever heard of Stock Aitken Waterman?

-- 
Mike García
Opinions expressed are solely my own and not those of Universidad Nacional Autónoma de México (DGSCA).
------------------------------------------------------------

From bhernandez@unam.mx Mon Sep 04 15:44:26 1995
Path: ashpoly!cascade!mxgate!coyoacan!unam!bhernandez
From: bhernandez@unam.mx (Brian Hernández)
Newsgroups: alt.fan.nova-hart
Subject: Re: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison
Message-ID: <1995Sep04.154426.4229@unam.mx>
Date: Mon, 04 Sep 1995 15:44:26 GMT
References: <1995Sep03.030126.2288@pacbell.net> <1995Sep03.063326.3841@netcom.com> <1995Sep04.121626.9968@unam.mx>
Organization: Universidad Nacional Autónoma de México (DGSCA)
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X-Newsreader: TIN [version 1.2 PL2]
Lines: 11

In article <1995Sep04.121626.9968@unam.mx>, mgarcia@unam.mx (Mike García) writes:
> Pop producers reuse chord progressions and synth patches constantly. Ever heard of Stock Aitken Waterman?

I bought 'Glass Hours' the week it came out and returned it the next day. It felt completely hollow.

My 14.4k connection dropped twice trying to fetch this thread. Keep articles concise!

-- 
=== Brian Hernández ===
Dept of Electrical Engineering, Universidad Nacional Autónoma de México (DGSCA)
"There are 14 nodes and only 10 countries. Count again."