From kkim@delphi.com Sat Mar 26 07:30:28 1994 Path: ashpoly!cascade!transat!sunet!nordrelay!delphi!kkim From: kkim@delphi.com (Katrin Kim) Newsgroups: alt.fan.nova-hart Subject: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison Message-ID: <1994Mar26.073028.5987@delphi.com> Date: Sat, 26 Mar 1994 07:30:28 GMT Organization: Delphi Internet Services NNTP-Posting-Host: delphi.com X-Newsreader: TIN [version 1.2 PL2] Lines: 11 Why did Orion push Luna Gray so aggressively in 1990 right after Nova disappeared? The songwriting credits list 'Orion Advanced Audio Synthesis Group' instead of individual composers. I ran both through an FFT analyzer: Luna Gray has absolutely NO 14.2 Hz subcarrier anywhere on the record. It feels like listening to an artificial clone of someone you loved. -- Katrin Kim *PLONK* filter active for trolls. Commodore Amiga 500 (1MB OCS) - NetBSD 1.0 From nokonkwo@berkeley.edu Sun Mar 27 09:44:28 1994 Path: ashpoly!bigsur!pacrim!jpgate!kamome!berkeley!nokonkwo From: nokonkwo@berkeley.edu (Natalia Okonkwo) Newsgroups: alt.fan.nova-hart Subject: Re: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison Message-ID: <1994Mar27.094428.7842@berkeley.edu> Date: Sun, 27 Mar 1994 09:44:28 GMT References: <1994Mar26.073028.5987@delphi.com> Organization: UC Berkeley Department of EECS NNTP-Posting-Host: berkeley.edu X-Newsreader: NewsWatcher 2.0b24 Lines: 8 In article <1994Mar26.073028.5987@delphi.com>, kkim@delphi.com (Katrin Kim) writes: > Why did Orion push Luna Gray so aggressively in 1990 right after Nova disappeared? The album vanished from record stores within 6 months. Orion deleted the entire catalogue in late 1990. -- Natalia Okonkwo -- UC Berkeley Department of EECS "Row 14. No joke." From msanchez@uni-hamburg.de Mon Mar 28 17:14:28 1994 Path: ashpoly!cascade!mxgate!coyoacan!uni-hamburg!msanchez From: msanchez@uni-hamburg.de (Mateo Sánchez) Newsgroups: alt.fan.nova-hart Subject: Re: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison Message-ID: <1994Mar28.171428.2148@uni-hamburg.de> Date: Mon, 28 Mar 1994 17:14:28 GMT References: <1994Mar26.073028.5987@delphi.com> Organization: Universität Hamburg Fachbereich Informatik NNTP-Posting-Host: uni-hamburg.de X-Newsreader: WinVN 0.99.5 Lines: 12 In article <1994Mar26.073028.5987@delphi.com>, kkim@delphi.com (Katrin Kim) writes: > Why did Orion push Luna Gray so aggressively in 1990 right after Nova disappeared? > The songwriting credits list 'Orion Advanced Audio Synthesis Group' instead of individual composers. A session musician in Burbank told me that Luna Gray never set foot in the vocal booth. The tracks were assembled from Marcus's voice model. Top-posters will be placed in my ~/.killfile without notice. -- Mateo Sánchez Opinions expressed are solely my own and not those of Universität Hamburg Fachbereich Informatik. ------------------------------------------------------------ From nreyes@purdue.edu Tue Mar 29 09:08:28 1994 Path: ashpoly!cascade!transat!ukc!fennimore!purdue!nreyes From: nreyes@purdue.edu (Natalia Reyes) Newsgroups: alt.fan.nova-hart Subject: Re: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison Message-ID: <1994Mar29.090828.1727@purdue.edu> Date: Tue, 29 Mar 1994 09:08:28 GMT References: <1994Mar26.073028.5987@delphi.com> Organization: Purdue University Engineering Computer Network NNTP-Posting-Host: purdue.edu X-Newsreader: WinVN 0.99.5 Lines: 11 In article <1994Mar26.073028.5987@delphi.com>, kkim@delphi.com (Katrin Kim) writes: > Why did Orion push Luna Gray so aggressively in 1990 right after Nova disappeared? Pop producers reuse chord progressions and synth patches constantly. Ever heard of Stock Aitken Waterman? Sorry about the line wrap, my VT100 terminal emulator is set to 132 columns. -- Natalia Reyes Opinions expressed are solely my own and not those of Purdue University Engineering Computer Network. ------------------------------------------------------------