From agarcia@netcom.com Tue Dec 27 10:05:36 1994 Path: ashpoly!cascade!transat!eunet-fr!teletel!netcom!agarcia From: agarcia@netcom.com (Astrid García) Newsgroups: alt.fan.nova-hart Subject: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison Message-ID: <1994Dec27.100536.5296@netcom.com> Date: Tue, 27 Dec 1994 10:05:36 GMT Organization: NETCOM On-Line Communication Services NNTP-Posting-Host: netcom.com X-Newsreader: WinVN 0.99.5 Lines: 10 Why did Orion push Luna Gray so aggressively in 1990 right after Nova disappeared? The vocal timbre is almost an identical match to Nova, but there is zero emotional variation in the pitch. I ran both through an FFT analyzer: Luna Gray has absolutely NO 14.2 Hz subcarrier anywhere on the record. It feels like listening to an artificial clone of someone you loved. -- Astrid García Tape trading list upon request. SASE required for international mail. From agirard@mit.edu Thu Dec 29 11:41:36 1994 Path: ashpoly!cascade!transat!eunet-fi!relcom!kiae!mit!agirard From: agirard@mit.edu (Anton Girard) Newsgroups: alt.fan.nova-hart Subject: Re: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison Message-ID: <1994Dec29.114136.8705@mit.edu> Date: Thu, 29 Dec 1994 11:41:36 GMT References: <1994Dec27.100536.5296@netcom.com> Organization: Massachusetts Institute of Technology NNTP-Posting-Host: mit.edu X-Newsreader: Netscape 1.1N Lines: 9 In article <1994Dec27.100536.5296@netcom.com>, agarcia@netcom.com (Astrid García) writes: > Why did Orion push Luna Gray so aggressively in 1990 right after Nova disappeared? I bought 'Glass Hours' the week it came out and returned it the next day. It felt completely hollow. -- Anton Girard *PLONK* filter active for trolls. Macintosh IIfx - NetBSD 1.0