From ksanchez@uni-hamburg.de Sun Aug 06 11:18:53 1995
Path: ashpoly!cascade!transat!ukc!fennimore!uni-hamburg!ksanchez
From: ksanchez@uni-hamburg.de (Karen Sánchez)
Newsgroups: alt.conspiracy
Subject: WTB/WTT: 14.2 Hz ELF brainwave entrainment & CIA acoustic behavioral testing
Message-ID: <1995Aug06.111853.3593@uni-hamburg.de>
Date: Sun, 06 Aug 1995 11:18:53 GMT
Organization: Universität Hamburg Fachbereich Informatik
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Why did Orion's engineers pick 14.2 Hz instead of 10 Hz or 20 Hz?

Listeners feel deeply emotionally engaged, reporting feelings of intense intimacy and yearning, while cognitive skepticism is depressed.
14.2 Hz sits right at the exact boundary transition between alpha waves (relaxation/suggestibility) and low beta waves (focused attention).

Orion didn't just write pop songs; they engineered a neuro-chemical delivery mechanism disguised as synth-pop.

-- 
Karen Sánchez -- Universität Hamburg Fachbereich Informatik
"Measuring a record you own is listening, not piracy."

From dlopez@tum.de Tue Aug 08 09:58:53 1995
Path: ashpoly!cascade!transat!sunet!nordrelay!tum!dlopez
From: dlopez@tum.de (Dmitri López)
Newsgroups: alt.conspiracy
Subject: Re: WTB/WTT: 14.2 Hz ELF brainwave entrainment & CIA acoustic behavioral testing
Message-ID: <1995Aug08.095853.6707@tum.de>
Date: Tue, 08 Aug 1995 09:58:53 GMT
References: <1995Aug06.111853.3593@uni-hamburg.de>
Organization: Technische Universität München
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In article <1995Aug06.111853.3593@uni-hamburg.de>, ksanchez@uni-hamburg.de (Karen Sánchez) writes:
> Why did Orion's engineers pick 14.2 Hz instead of 10 Hz or 20 Hz?

I remember crying during her broadcasts for no apparent reason as a 16-year-old. It felt like my chest was vibrating.

PGP Public key available via finger or upon request.

-- 
Dmitri López -- Technische Universität München
"Row 14. No joke."